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​Over the course of a year, I collected the postcards I received from friends and family. I selected a small series that I displaced and transformed, so that these images—once easily recognizable by all—are no longer so.
In this correspondence, I was only interested in the images, those common and popular pictures that are part of my collection, yet could belong to anyone else.
The viewer is revealing the image by activating it. Between absence and presence, this object of passage becomes part of a living memory, that of wood.

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